The Ilonggo Artistic Tradition in the Works and Lives of Ten Selected Visual Artists 

ABSTRACT 

This study aimed to define the Ilonggo artistic tradition from the works and lives of ten selected visual artists. Using document analysis and interview, a brief biography and a critique of the works were made based on the photographs of the artworks. Selection was made based on any two of the following: major national award in art, gallery exhibits held, activity in the past two years and group affiliation. [The Ilonggo artistic tradition shows the following characteristics: An easily recognized hallmark of the works that identifies the true “voices” of the artists evidently shows their unique ability to come up with signature styles not yet seen in the usual canons of rt. The works- though varied in a range of mediums, subjects, moods and elements- remain hinged in the framework of Ilonggo culture. With no fine arts courses, most of the leading artists were raised up with the help of Hubon Madiaas which served as the prime mover of cultural activities in Panay. The artists are products of the admixture of natural endowment in art, presence of cultural activities to participate, challenge of peers and a courageous resolve to continue their art regardless of the lack of patronage by the public in general. The artists still belong to the mainstream art in the country even if they are stereotyped. This is true in the sense that they have been getting their energies from the leading artists in the country such as the interaction and workshop conducted by national artist Jose Joya and their ability to bring top awards in prestigious national contests. They had exhibits in Manila while four of them held solo shows abroad.